Posts Tagged ‘Shooter’

Developer: City Interactive

Publisher: City Interactive

Platforms: Xbox 360 (reviewed), PS3, PC

Price: £17.99 on Play.com

I have been waiting to pick up this title for a while now, excited about the prospect of a game devoted to sniping, something which is disappointingly underrepresented in gaming. Games like Modern Warfare (‘One Shot, One Kill’) and World at War (‘Vendetta’) have successfully demonstrated how heart-racingly exciting sniping can be, especially the latter. Finally, a game supposedly based on the long range shooting strategy. How could it go wrong? Find out below:

Sniper Ghost Warrior is perhaps best described as mediocre; enjoyable but certainly instantly forgettable.

The plot is practically non-existent, jetting you to location after location with little plot continuity or development. Narrative becomes a sacrificial lamb, rushed, unplanned instead promoting the games greatest (perhaps only) feature – the bullet time sniping accompanied by a vicious kill cam. Undoubtedly, this feature provides endless fun:


There is nothing quite as satisfying as popping an enemy in the head, rewarded with more that just some additional score points. A kill cam is the greatest reward a gamer could receive, providing them with a glorious view of their accurate, deadly shot.

Unfortunately, everything goes downhill from there. Sniping is heavily affected by an inventive realistic ballistics system. This ensures that environmental factors affect the trajectory of your bullet, exacerbated when you are standing instead of crouching or proning. It is refreshing that City Interactive have attempted to inject some gaming realism beyond the modern taste for photo realistic graphics. However, disappointingly this system is not without its flaws. On the default difficulty setting the user is provided with an additional red dot on the reticule which directly shows where the bullet will make contact. As a result, the environmental factors are entirely redundant. However, on higher difficulty settings the user is faced with the other extreme; wind conditions are so variable that perfect headshots are nigh on impossible. Moreover, undermining all of this is the bullet time feature which allows the user to slow time temporarily, also highlighting enemies in red, to provide an unmissable shot. I appreciate that the developers have tried to introduce something new, it’s just a shame that it is ill thought and riddled with flaws.

One of the most damaging things from my personal perspective is that there is little effective use of sniping within the game. When I heard that there was a game called ‘Sniper’ my mind automatically raced, thinking of all the potential sniping missions that I will be on; assassinating terrorist leaders, taking out the tyres of an escaping vehicle, destroying lights or alarm systems to provide stealth cover, eliminating enemy guards, the possibilities were endless. This game doesn’t scratch the surface though. I expected Silent Scope as an FPS and what I got was a bad COD rip off.

All together now: 'Boom, headshot!'

Importantly the game is subtitled ‘Ghost Warrior’. Clearly this phrase is completely apt for the traditional strategy of a sniper: covert, anonymous killing. You’ve seen Leon right? This sort of strategy is certainly present here, highlighted by the inclusion of a silenced pistol and throwing knife, but it is often ridiculously juxtaposed with perhaps the worst assault rifle physics that I have ever seen. There are certain sections which force the user to use an assault rifle instead of a sniper. These entirely ruin the fluidity of the game, making stealth impossible and completely undermining the whole premise of the title. It is another example of ill planned development. More damaging are the actual physics of the assault rifles which have the worst recoil I have ever seen in a game (that’s not to say that I have ever felt the recoil of a gun in real life). It’s like Michael J. Fox has suddenly entered the campaign.

The sniping element to the game is further weakened by severely limiting linearity, created by poor map design and plot progression. Sniper Ghost Warrior ensures that the player must follow a very strict path throughout. This is enforced by the use trigger points interspersed throughout each level which must be crossed in order to initiate the next map marker, and an almost Totalitarian reliance on invisible walls. The idea of sniping, of covertly locating the most advantageous sniping spots to obtain the perfect hit, would be much better suited to a sand box title. As it stands, Ghost Warrior completely restricts the user in their attempt to strategise, a hugely disappointing limitation when the landscapes are beautifully rendered, visually vast but with no substance.

Looks exciting right? Well sadly it's not.

Enemy AI is pretty dire in Sniper also. The biggest problem is that there is a shambolic level of inconsistency. At times enemy forces have a perpetual lock on to your position whilst at others you are able to selectively pick off a group of four or five without them batting an eyelid. It’s this inconsistency which makes the game infuriating, particularly when someone kills you with an assault rifle from a range that would require the player to use a sniper to accurately hit them.

I’ll end with a note about the 12 man online multiplayer. Essentially, it’s a bit, well, meh. It’s ok, nothing more, nothing less. It suffers from awful connection problems, worsened by the fact that it backs you out to the main lobby after every single match. There is quite a harsh learning curve when you first play, making it vital to learn the functionality of varying rifles and map designs. It does feel rewarding when you do this though. Unfortunately, the few maps become very repetitive, very quickly and inevitably have more campers than Glastonbury. The fatal flaw of Ghost Warrior’s online multiplayer is that it actually feels quite exciting, highlighting how lackluster the solo campaign is. Although the more exciting features of bullet time and kill cams have been removed from online play – a necessary manoeuvre – you are constantly prisoner to the feelings of both excitement and fear. Adrenaline pumps as you dash from spot to spot, manically scanning the landscape’s foliage in the hope of spotting opposing snipers, before they spot you. This unnerving excitement, experienced in WAW’s ‘Vendetta’ (above), is sadly missing in Ghost Warrior’s campaign. This, accompanied by a discouraging range of other problems renders it, at best, a mediocre FPS.

Sniper Ghost Warrior 2 is due for release on 16th March 2012. Am I excited? Errrrrrr…..

Finally I have seen this. For some reason I completely forgot to give it a look when I first heard about it. Verdict: Excited.

The graphics look good, the story is refreshingly different from its predecessors and the new setting in Brazil introduces a fresh new palette of colour unseen in the earlier titles.

However, I have to say that I do have my concerns…. Firstly, it’s with the new setting. I very much champion progression and not simply bashing out another similar looking sequel, but the dark city streets of the series’ original New York setting were what made it so popular. The dark, urban atmosphere perfectly suited the corrupt, crooked characters that it housed, also providing suitably chilling audio. Can this really be replicated in a bright, South American setting.

Perhaps my biggest concern though is the key gaming physics that made the original games so renowned – bullet time. In its day, Max Payne was revolutionary, taking Matrix-style slo-mo shooting and adapting it within a game. This move proved to be a very shrewd, setting a significant precedent for modern shooters. It can now be witnessed in many more recent titles, of notable mention, Stranglehold, Fallout 3 and Sniper: Ghost Warrior. Clearly bullet time is no longer anything special, almost incidental in particular games. With this in mind, Max Payne 3 must bring something entirely new to the table in order to replicate the the series’ prior successes.

Watch the trailer here and see what you think, would love to hear your thoughts!

Has Bullet Time had it's day? We'll see...

Often I may be commenting on games, films, music or books that are somewhat outdated but somehow I have managed to miss. Hence ‘From the Vaults’… Onward!

Developer: Chair Entertainment, Epic Games

Producer: Microsoft Game Studios

Platforms: Xbox Arcade (reviewed), PC

Price: 1200 points (purchased for 600 during sale)

As Muse so eloquently put it, “Our time is running out”, and boy they weren’t wrong! As the years roll by it seems harder and harder to devote any real time to gaming. Jobs, relationships, doing your own washing, it all ensures that daily there is less and less time to sit down and session one of your favourite games. I remember fondly the days of my youth, sessioning Ocarina of Time after I returned home from school, not a care in the world. Now you’re lucky to squeeze in a few hours after a long day at work, and that’s if you find the energy from somewhere to avoid monging out in front of Dave. What was it Peter Parker used to say? ‘With great age comes great responsibility’, or something like that….

Beyond the diminishing time frame that increases as each year rolls by, the gaming industry itself continually makes it harder to divide your time. Games are released in increasing number, with bounding rapidity on multiple formats. Think about it, how many top quality titles have there been released within the last month and continuing into the next few? Fifa 12, Battlefield 3, Arkham Asylum, Modern Warfare 3. And that’s on top of all the games you have undoubtedly mounted up on your shelves, unfinished or even unopened! As games get more and more replayable, attempting to collect all those bloody achievements or trophies, with the ever-increasing amount of DLC and the days spent levelling up with online multiplayer, is it any wonder that many people immediately avoid the prospect of purchasing arcade or indie titles. There’s just not enough hours in the day!

However, conversely, an unavoidably strict daily schedule is the very reason why arcade titles catch my eye. Despite my fervent desire to complete the single player campaigns of all the games I own, often I find myself struggling to immerse myself in a full title. Instead, it’s much easier to get involved with a game you know is going to have much smaller scope and therefore less play time. This, accompanied by a half-price sale offer, made it impossible not to add an additional game to my collection. In this instance, Epic Games Shadow Complex.

We all know that Epic are predominantly known for their renowned third-person sci-fi shooter series (say that three times in quick succession!), Gears of War. Epic by name, epic by nature. Clearly, they have set themselves an impressive precedent, but can they live up to this with their ongoing releases? Let’s explore….

Jason...... Bourne perhaps?

Importantly, Shadow Complex is entirely different to their Gears of War trilogy. It’s a 2D shooter (well seemingly) in which you play a single character, Jason, who’s primary objective is to rescue his female companion Claire. One day whilst travelling along some kind of nature walk, Claire stumbles upon a hidden subterranean base…. as you do. She is subsequently captured as a spy and imprisoned deep within the base’s walls. That’ll teach her for not using a Natural Trust walkway; textbook error! As the eponymous male hero, your job is of course to locate and rescue the clumsy damsel in distress, not easy with a smorgasbord of minions seeking out new intruder (that’s you!) Yet, soon your mission takes on a much more global significance as Claire’s captors are discovered to be hatching a plan to invade San Francisco. Roll up Jason, the classic hero archetype with a classic hero name (Argonauts/Power Rangers) as he somewhat frivolously decides to take on the whole operation. What a guy, what a guy.

Foam bridge it up!

Despite the game’s name, the plot really is that simple. It is never really explored much beyond this fairly superficial level which, arguably, is a constraint of the game being an arcade title. Alternatively though, when you look at Gears it can be observed that narrative complexity is not really Epic’s forte. The plot is certainly secondary to the gameplay in Gears of War, which is clearly mirrored in Shadow Complex. In this case though it does not appear to leave any lasting damage. The game is so detailed and there is so much to remember in the way of back-tracking that it is beneficial to coast through a very straightforward plot, but more on this later.

The introduction to Shadow Complex is very successful. Where many games supply you solely with an opening FMV explaining what kinda shit is going down (bear in mind this does happen after the introduction here though), SC provides the gamer with a minute-long playable section. Suddenly, the game casts you into the deep-end with no real explanation of the control system or your abilities, leaving you to fend for yourself by spamming away optimistically. Although brief, the player is given a moreish insight into the potential of the games combat system and its interesting 3D perspective.

A note on this; although the game is predominantly a 2D scrolling shooter (there are a few sections where the use of a turret gun enables a first-person perspective), it is accompanied by an impressive 3D background. This interesting perspective initially seems a little odd, perhaps as a result of it feeling a little out of the ordinary. This soon subsides though as the user witnesses how successfully it functions. The background is interactive, with enemies located on multiple planes of vision creating a variety of combative action. The game automatically changes your line of fire so that you are able to effectively shoot enemies in both the back and foreground. These changes are executed timely and accurately, key for maintaining the fluidity of the game.

Fuck, shit, arse, crap. Sorry, I've got turrets.

In essence, the gameplay is extremely similar to the original 2D Metroid series. The protagonist must navigate a vast 2D world, destroying waves of enemies they encounter in each area whilst seeking their updated objectives. Like Metroid, the game is separated into very distinct sections, separated by sporadic save points strategically placed around the map. Initially you begin with a limited armoury and moves list, essentially just jumping, climbing, shooting and melee (allowing for a stealth strategy to be deployed as with many shooters on the market these days… or you can just shoot the shit out of everything in sight!) This simple core gameplay deepens as you progress, obtaining new weapons and abilities that increase the creative potential of combat and exploration; a particular favourite is the Foam Gun, try attaching a grenade to it! Further Metroid influence can be seen in the very deliberate back-tracking element to the game, forcing the player to re-examine areas previously explored with their new weapons or abilities to progress with the main story or to locate the many hidden items dotted around the map. Particular areas are inaccessible until you locate alternative weapons – shining your torch on blockades reveals a specific colour that can be destroyed with varying projectiles (much like Metroid), for example, red sections require missiles – ensuring that game progression is somewhat linear whilst allowing for significant personal exploration.

For this back-tracking element to function effectively it is vital that the game has a detailed but clear map, which it does and is undoubtedly inspired by Metroid. See for yourself:

Shadow Complex - Metroid: Notice much difference? No.

Now, although the map looks vast, perhaps scaring you a little about the explorative element, it also offers some vital help with back-tracking. Doors that require particular unlocks to open them are marked in their specific colours on the map. However, there are numerous vents and windows that can be accessed which are not marked, so better get that memory working! Where’s Dr Kawashima when you need him? Additionally, all hidden items are marked on the map as a question mark whenever the user enters the room in which they are located. This ensures that items are rarely missed, providing a useful guide for all you completionists out there. Although this sounds like it’s too much support, almost cheating, your memory and spatial awareness are still very much engaged as many items are only accessible later in the game, requiring you to remember which ones need which ability, and in what very specific ways.

For a thorough review, it is important to mention replayability, which this game certainly has. With achievements demanding at least a second playthrough, back-tracking to collect every item and three sets of challenge packs, you will certainly play Shadow Complex beyond that initial run. The latter are interesting hologram-style challenges which will aid in you in learning particular techniques that will prove to be vital in your quest; with rankings that can be compared on Live with friends and globally there are competitive layers to this gaming onion.

Melee attacks are usual for keeping covert.

The only criticism I have found of Shadow Complex, and perhaps it’s one that many people would find particularly damaging, is that it is too similar to Metroid to be a simple homage, or influenced by it. With a map that absolutely resembles that of the classic Nintendo title and very similar gameplay and game progression, especially in the method of gaining access to doors, you cannot help but feel that it is somewhat a rip-off. But fuck it, I LOVE METROID! Ok, so it is disappointingly unoriginal. Worse still, there is no way that the developers could have ever got away without the comparison being made and I’m sure they were fully aware of that fact but happily ignored it.  There is such a fine line between being influenced by something and completely stealing the idea, and unfortunately Shadow Complex appears to fall in the second camp. However, it must be said that the inventive change of perspective effectively enhances the gameplay of this title, creating a vital distance between the two franchises. Despite the seemingly shameless gaming theft, Shadow Complex is a bug-free pleasure to play from start to finish and one not to be missed.

So what have we learnt? Despite the torrent of full-release titles due for release towards the end of this year, arcade games cannot and must not be avoided. Sure there is almost certainly a whole heap of awful arcade and indie titles out there, but make sure that you do your research first!

Oh and don’t hike anywhere that isn’t registered by the Natural Trust, you never know who you might meet.

Developer: Valve Corporation

Publiser: Valve Corporation

Platforms: Xbox 360 (reviewed), PS3, PC

Price: £39.99 (£36.99 on Gamestation)

(Please note that post this may be a little spoilerific, so if you haven’t played/finished Portal 2 yet then exit here)

A wise man once said ‘Perfection is hard to improve’. Never has this phrase been more accurate than when used to describe Valve’s ingenious FPS puzzler, Portal.

Originally bundled in with the Orange Box in 2007 as an additional side-project, Portal was a surprising hit. Capturing the hearts of Half-Life fans the world over with its quirky puzzles and dark, sarcastic charm the game has sold almost 4 million copies (excluding Steam sales) over the last four years.

Pour-tal. (I'm so sorry)

Unexpectedly, Portal rapidly began to receive acclaim, in many cases overshadowing Half Life 2 and Team Fortress 2, which were very much anticipated successes. Awards included the Game of the Year, Best Game Design  and the Innovation Award at the 2008 Games Developers Choice Awards, amongst many, many others.

Years later, we now found ourselves handling the sequel. But how does one replicate the success of a title that has become so critically-acclaimed, especially something praised for its originality and innovation? How do you transfer a fledgling side-game to a stand-alone hit? Well, ask Valve, because somehow they managed it.

To the game…

For fans of the original, expect plenty more of the same. Once again you take the role of mute protagonist Chell, awoken from stasis after the destruction of GLaDOS (Genetic Lifeform and Disk Operating System), the artificial intelligence computer system that you combat in the previous title. Chell’s stasis is disturbed by a small personality core called Wheatley, who attempts to guide her towards an escape pod as a means of rescue. In the process of doing so however, they accidentally awake the dormant GLaDOS, who, bitter and aggressive after her prior downfall, proceeds to rebuild the decaying Aperture Science labs in order to put Chell through another cycle of rigorous and dangerous tests.

Portals in action

The game physics remain generally unchanged in Portal 2. Testing your spatial awareness, the player must use ingenuity and experimentation to progress from chamber to chamber with their trusty Portal Gun. But there are also some interesting additions this time round. Instead of relying solely on the use of two portals, there are also Hard Light Bridges (long panels that can be used horizontally to bridge a gap or vertically as a resourceful shield), Tractor Beams and three types of gel: Repulsion (a blue gel that causes the user to bounce when they come into contact with it), Propulsion (an orangey-red gel that increases the speed of any user passing over it) and Conversion (a white gel allowing any surface to become portal-able when ‘caked’ in it – a little in joke there); the latter device is particularly game changing as it enables an endless amount of possibilities.

Bridge the gap!

These new additions are key to Portal 2. They ensure that the game is not a simple revamp of the original, adding new degrees of difficulty and variation. For veterans they establish dimensions unexplored previously, keeping it fresh and interesting. Importantly, Portal 2 has a really accessible learning curve. As with the first game, the first few test chambers function as an interactive tutorial, instructing the user on the basics of portal usage. Experienced players may find this a little tedious, but can run through them quickly enough that it should not become a problem. As the game progresses, portals must be used in more inventive ways, testing the creativity and logic of the player, with the new gameplay elements added continually for extra obstacles. In the later chambers, when Hardlight Bridges, Gels and Tractor Beams are combined, the game really comes into its own, setting impressive challenges.

The levels are well designed and really show off the sequels improved graphics. Between chambers, Chell is often treated to more detailed passageways, complete with growing foliage and transforming surfaces as GLaDOS attempts to rebuild a decaying facility. Escaping the somewhat sterile environments of the original, which were almost entirely centred around very small-scale and repetitive lab designs, the player also gets a glimpse into the vast scope of the Aperture Science building, with long distance shots that sometimes seem endless.

The bumbling Wheatley aka Stephen Merchant

Portal 2 definitely seems a bit gloomier, aided considerably by a beautiful ambient soundtrack. This goes hand-in-hand with perhaps the most impressive voice acting ever witnessed in a game. Ellen McLain (GLaDOS), J.K. Simmons (Cave Johnson) and a surprise appearance from Brit comedy writer Stephen Merchant (Wheatley) provide the perfect comedic delivery of a hilarious script that is notable for its wit and charm. GLaDOS appeals to the child in all of us, regularly spouting the equivalent of ‘Your mum’ jokes (“Oh good, you finished the test. Let’s see what the data says. Hmmm, it says you’re a terrible person. Weird, we weren’t even testing for that.”), with Merchant’s Bristolian accent lending itself particularly well to a clumsy, dim robot. And referring to audio, don’t forget the outro song… It’s sure to be another Valve classic.

Add to all this a newly developed multiplayer system and you have a winner! The campaign can be played co-operatively in both split screen and online modes. PS3 users can play over Steam using PSN, finally allowing console and PC gamers to cross formats (although currently, due to PSN’s outage, this won’t be possible for the near future), and will also receive a free promotional code for the PC or MAC version. Disappointingly, Xbox Live users can only play with other Xbox owners, but hey, at least it’s actually working! Impressively, the co-op mode is made up of all new test chambers, doubling the hours of play time. Co-op is much more than just a name in this title; it is completely vital. The multiplayer chambers cannot be completed alone, some requiring the use of all 4 portals at your disposal.

Best of auto-mate-ons

And it appears that Valve have thought of everything: For users playing online without a mic the developers have included various tools, such as a Ping Tool, a cursor used for highlighting a pa

As a regular gamer, how often do you find yourself disillusioned with the industry, jaded by the torrent of remakes that all shatter the beautifully-crafted originals?

Unfortunately, this happens far too often, to the detriment of many a gaming franchise. For reference, examine Starfox, damaged irrevocably by the less-than-impressive third-person manifestation on the Gamecube, Conflict Denied Ops which absolutely crippled the Conflict franchise by transforming it into a FPS, or the hotly debated Sonic Adventure on the Dreamcast. Maybe I’m being a little harsh, and at very least I respect the decision to move forward, experimenting with a title in an attempt to enhance it rather than let it stagnate – it’s just a shame when it horribly fails. Thankfully, there are some titles that are able to update and create incredible sequels. Fine examples of this can be seen in both the Legend of Zelda and Metroid franchises, taking simple 2D classics and rendering them in 3D with new worlds, enemies and narratives. The latter is what I shall focus on within this post…

Glorious nostalgia

With various adaptations in the series, some less well-received than others (Metroid – the Other M, mentioning no names), it is no surprise that fans have turned to their own ingenuity to create fresh sequels. And my God, have they been working hard! Check them all out here: http://www.metroid-database.com/fanapps.php

The most recent creation is a glorious tribute to retro 2D gaming, harking back to Metroid’s finest format. Minitroid, so far just a tech demo, has been put together by a three person team: Construct Programmer Tokinsom, an artist Betatronic, and music composer Jamie Billings. They’ve been working on it for about a year, uploading updates via Tokinsom’s youtube account, but it’s no surprise that the game is still only in demo form when you see how comprehensive it is! The game takes everything that was right about Metroid – the simple side-scrolling shooting system, the expansive 2D environments, the in-depth exploration and strategy application – and throws in a new protagonist, a mini, chibi-style Metroid. Despite wearing the classic orange spacesuit, she is almost cute!

Mind the gap!

At its core, Minitroid is classic Metroid gameplay, with all the familiar commands and power-ups. Moves are limited to ducking, jumping (with a double jump) and shooting (including a charge shot with your default weapon, and added missiles), with additional moves unlocked as you discover new ups (the Speedcore, allowing Minitroid to dash also enables her to long jump). And don’t forget the Morph Ball and Bombs! Enemies are varied, requiring alternating tactics in order to kill them efficiently, as is the gameworld, a mass of adjoining levels formed from many different colours and textures. For a game so simple in design, it is remarkably detailed. Adding to the classic feel is Billings’ beautiful chiptune soundtrack, transporting you right back to your gaming childhood. It’s highly reminiscent of the original game music, creating an audible sense of fantasy and sci-fi to complete the sublime environments that surround you.

Open Sesame!

The game has a good learning curve, essential for enjoyable but rewarding gameplay. Enemies are fairly easy to combat, especially when you’ve discovered their path of movement and attack, and they often drop missile and health refills. Save points are located throughout the game, at challenging intervals – you’re very grateful when you find them, but won’t have to work too hard in order to do so. The greatest difficulty isn’t survival, it’s working out how in God’s name you progress from one area to another, but with a little time you’ll manage it! (And if you can’t, unlucky because there are no walkthroughs!)

Minitroid is the perfect combination of shoot-em-up action and puzzle/strategy; you must use initiative to uncover new areas, whilst experimenting with the power-ups you’ve earned in inventive ways to progress. Despite being only a demo, the game is solid and detailed, and well deserves a few hours of your time. Show your support for a growing indie game industry and check it out!

Originally written in April 12th 2010, for a gaming content writer competition

When it was announced that the N64 classic Perfect Dark was coming to Xbox Live Arcade, frequent demands were heard across the gaming community for the release of its predecessor, the nostalgia-filling Brosnan-Basher Goldeneye. However, it soon became very clear that Rare made the right decision.

Despite PD drawing very heavily from Goldeneye, it is patently a much more developed title. Graphically it was much sharper, with a greater attention to detail and palette of colours used, especially visible in some of the darker levels like Chicago Stealth, looking especially beautiful when rendered in full HD.

See the difference for yourself!

PD also had more sophisticated gameplay and importantly much more replay value, lending itself perfectly to XBLA. Not only is there an entertaining solo campaign – a captivating sci-fi story, free from the chains of cinematic realism – but a vast multiplayer system also. This includes standard co-op mode and a highly inventive ‘counter-op’ scenario in which one player assumes the role of enemy forces, constantly respawning as a different enemy attempting to foil Joanna Dark’s objectives.  Additionally, there are crowns to collect by completing a specific task in each level and 29 challenges to conquer, which can be played solo or multiplayer, pitting the players against AI simulants in various scenarios like the classic capture the flag (briefcase) or king of the hill.

Greasy Monsieur Brosnan

Obviously when compared to a successful contemporary FPS like MW2 the AI often appears illogical and outdated. However, this is completely forgivable when accepting  that PD was originally released 10 long years ago, coupled with the incredibly thorough multiplayer simulant AI list. The list is perhaps one of the most creative and memorable elements of the game, including 18 massively differing sim types, from standard difficulty alternatives to specialised bots that prey on the winning player or that will only attack using explosives.

All this, bundled up for a measly 1200 points? And never having to look at Mr Brosnan’s greasy mirkin hair? Yes please.